
青春少艾就日是這種啦, 跟Prada做返女啦!

let's be blind and blue in fashion with ACNE





I vividly remember the time when the parcel arrived; it is 8:12pm at night when I was back from a rainy day in East London. I forgot to bring my umbrella and very tired both physically and emotionally. Something bad happened but I forgot the details already, anyway, is not a particularly good day for me.
When I carefully unpacked the parcel, I revealed a book named Tokyo Boy Alone – a precious gift from my dearest friend Eiki Mori from Japan. Eiki and I have never met in person. He studied Photography in Parsons School of Design and now working in Japan very successfully as a portrait photographer. I came across his work in flickr and since then we become friends. When he asked my address in London, I thought he is going to send me a postcard, something light, something sweet, something I can handle or something small. I did not expect it is a book that had been haunting me for several days. It is a book about two objects I obsessed with - solidarity and boys.
Eiki expressed his view on how people and city connected to each other, how boys lived in a city and how they are viewed as the subject in our society. It is like a self-reflection of my London life – being separated from my beloved family and friends in Hong Kong. And I have to face all cultural shocks and differences in the western culture. I strongly agreed that it is not a book about sadness and depression; this is not Eiki’s intention. On the contrary, it projected a sense of intimacy rather than segregation of emotion. Something very close but untouchable, some emotion we long to express but couldn’t find the right words to say. Eiki captured the moment of distant proximity and visualised beautifully through his camera.
Eiki wrote about something remarkable in his mind:
Just before the sunrise, when everything is still and the passing moment seems almost palpable. I’m so tired to worry about what will happen when the sun is high up in the clear sky.
Then, at that exact moment, I see that light I’ve been searching for.
I am thankful that Eiki opened my mind for being alone in London. We are somehow emotionally connected to each other. I can’t wait to give you a big hug to express my love and appreciation of your aesthetics. You read my mind by your lens and show me being solitude is not a bad thing at all.

Magazine perfectly merged two of my favourites together - fashion and graphic design. I am insanely obsessed with fashion magazines since I was working as an intern in City Magazine, Hong Kong in 2005. Since then, I have never stopped my passion for magazines.
The visual, the paper, the page, the relationship between the text and the visual, the tactile feeling, the pagination, the typographic treatment, the space, the void, the positive and negative space and most importantly - the experience when you read the magazines. Many magazines tend to expand its influence through digital strategies; however, I am old fashion person that keens on buying magazines from bookstores. It explained why every time when I saw the latest issue of free(magazine) – COS in store, it is like you find a treasure for free. The wizard behind Fantastic Man, Gentlewoman & Butt - Jop van Bennekom always transformed these magazines into a charismatic person with an inexplicable allure.
When reading and buying magazines become an unstoppable habit. I guess I am suffered from Obsessive Compulsive Disorder in Magazine. I wish I know how to quit it, but I guess there is no way out.










